Introducing The Eleanor Romper

After a long drought, I have finally released a new pattern, the Eleanor Romper! This was my first pattern through the Knit Picks Independent Designer Partnership program, and hopefully the first of many. I really enjoyed working with them, and their yarn.

whole thing main

The Eleanor Romper is a darling little one-piece outfit for babies. Worked with a seamless top-down raglan construction, the romper features a simple but elegant cable pattern running down the sleeves as well as the sides, all the way down to the ankles. 

neckline raglan and cables

cables and feet

The design is suitable for boys or girls so it can be a gender-neutral baby gift or made more masculine or feminine with color and button choice. This is the kind of garment that will be cherished by parents and passed down through generations.

leg button bands rotated

I would like to give a huge Thank You! to Ryan and Vanessa Barr for letting me photograph their adorable little girl!

whole thing 3

Also, to Eleanor Dixon for another wonderful job with Technical Editing.

You can download the pattern, and even buy the yarn at the same time, at Knit Picks website.

Design Process Series, Installment Two – Yarn Selection and Swatch

Once I had an idea of how I wanted the skirt to look, I needed to move on to yarn selection. In my head I was picturing something with a bit of halo to it, maybe some mohair. Having never worked with it before I didn’t really know what was out there. As it turns out, mohair is usually mixed with something else like silk, and it’s also generally very fine weight, like lace or cobweb. I wanted something a little more substantial than that since otherwise I would have been knitting forever!

I headed to my favorite local yarn store, The Loop in Kensington. I was able to describe what I was hoping to achieve and within minutes the very knowledgeable Diana had it all figured out for me. I came out of there with two yarns: Schulana Kid-Seta, a 70% mohair, 30% silk 2-ply lace-weight yarn; and Berocco Ultra Alpaca Light, a 50% Alpaca, 50% Wool 3-ply sport-weight yarn. The two yarns held together provided just the right weight, strength and texture that I was looking for. I was able to find two coordinating colours that were just beautiful together.      Schul and Berocco Yarn and Swatch

The next step was to draw up a chart of the diamond pattern and then put together a swatch. I’ve learned in the last year or so of designing that “meaningful” swatches are of the utmost importance when designing. They are not only useful for determining your gauge but also trying out increases, decreases, edgings, etc. My swatch for this pattern included not just the diamond motif, but also the stockinette stitch hem that I was planning on incorporating. I was delighted with how this one turned out.

Schul and Ber SwatchIn the end, after submitting my idea to Knit Picks, I ended up with yarn support from them. I was able to find two yarns of theirs that had almost the same properties of those from my original swatch: Aloft Super Kid Mohair, a 75% Super kid mohair, 25% silk lace-weight yarn; and Andean Treasure, a 100% Baby alpaca sport weight yarn. Once received, I made another, smaller swatch in just the diamond pattern with the new yarn.

Knit Picks yarn and swatchThe two swatches matched stitch and row gauge exactly so I was a very happy camper. The two Knit Picks yarns have a little more contrast between the colours, which I actually like in the end. I find it makes the fabric have a tweed-ish look to it. And oooh, is it ever soft!

both yarns and swatches

Stay tuned for the next post – The Submission Process (Yeah, I know, I said that last time, but I realized after the fact that I needed to talk about swatching first).

Design Process Series, First Installment – Idea to Sketch

A box full of yummy yarn landed on my doorstep the other day, as if by magic. Well, not magic really, by the nice people of Knit Picks. I’ve had another design accepted for their Independent Designer Partnership program, and I’m oh so excited about it! I’m hoping to do a series of blog posts about the designing process, covering this particular design’s journey from idea to pattern. Here goes installment 1…

I’m not sure where this idea came from actually. It was so long ago now I can’t really pinpoint it’s origins, but usually they come to me in the shower. Once I had mulled it around in my head I made a quick sketch. This helped me figure out rough proportions and the basic shape I wanted. The next step was to draw a modeled sketch (not sure the proper terminology here). I’m absolutely horrendous at drawing so I downloaded and printed a fashion croqui from Designers Nexus Inc, to trace for the outline of the figure. This allowed me to show the skirt as it would look on an actual person.

And here you have it, the Helen Pencil Skirt as a fashion sketch.

Sketch

Next up, the submission process.

Why’d You Lie, Swatch?

I’ve read about other designers experiencing swatches that lie, but had not yet had the pleasure myself… until now. I just finished up the new sample of my next pattern using the Stroll Sport yarn Knit Picks had sent me. I had already finished another sample using another yarn and everything came out fine. The pattern had already been written, edited and tested so it should have been really straight forward. I should have known something was wrong, and stopped what I was doing immediately, when I blocked the piece and was unable to get the garment to comply to the schematic measurements. But I pressed on and even sewed on all 15 buttons. Then I decided that it might be a good idea to re-check my gauge. I measured it in 6 different places and then averaged it out… and the result was not pretty. The row gauge is actually 7 stitches per inch rather than the 8 stitches per inch that I used for all my calculations.

Do you know what this means? If I was just knitting this piece for myself then I could just say, “Meh, close enough, it’ll still fit.” But since this is my design it really needs to be right. So, the only solution I can see is to redo the math, change the numbers in the pattern, and… wait for it… rip the sample back to the end of the yoke and start again.

I’ve heard the advice to check the gauge after you begin knitting, but it hadn’t quite sunken in until just now. Off I go to rip and rewrite!

Well, Poop

I have officially received my first rejection letter from a submission call. I had submitted two design ideas for the Knit Now Fall 2013 call but they didn’t make the cut unfortunately. I was disappointed, but surprised that I wasn’t more upset. I’m still feeling my way around this industry and trying to figure out where I fit in. I don’t think it’s the worst thing in the world to take these ideas in a different direction and go the independent publication route that I’ve taken thus far. It can be much more lucrative if the pattern catches on. I think it’s time to make a business plan and start getting myself organized!  And, hey, I still have a couple of other ideas submitted to another publication to hear back from. Fingers are still crossed.